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Butterflies & Ballgowns

The North Yorkshire moors are always a magical place, but they're particularly enchanting at the holidays...especially if one gets to travel back in time to a Victorian Christmas. For Bronwyn Dale, it is the stuff of dreams. Fancy-dress balls, quirky small-town traditions, even that classic one-horse open sleigh, complete with jingle bells. There's just the tiny problem of the Butterfly Effect. How does a time-traveler make a difference without disrupting the future forever?

Snowstorms & Sleigh Bells

It's a Victorian Christmas at Thorne Manor, and Rosalind Courtenay is staying far, far away from the door that leads to the twenty-first century. It took her four years to get back home, and she's never going near the time stitch again. But her five-year-old son has other plans, and Rosalind finds herself plunged back into the modern world, where she decides to face her fears and give her family the holiday gift of a lifetime. Once again, Fate has other ideas, sending a blizzard to derail Rosalind's cautious planning and toss them all into a whirlwind of savage snowstorms, spectral sleigh bells and, perhaps, a Christmas ghost or two.

Ghosts & Garlands

Victorian novelist Miranda Hastings is in London for a modern-day Christmas with the man she loves, and they want to see everything. Luckily, they have friends who are going to make sure they get their wish. They're sent on a whirlwind holiday adventure, following their friends' mysterious messages...until an encounter with a ghost who was part of an infamous gang of highwaymen. Murder, mystery, and a ghost in need? Now that's Miranda's idea of a holiday treat.

Thorne Manor has always been haunted... and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination.

Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

William Thorne is no longer the boy she remembers. He's a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He's also none too pleased with Bronwyn for abandoning him all those years ago.

As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

Four years ago, Rosalind Courtenay stumbled from the nineteenth century to the twenty-first, where she has been trapped ever since, leaving her husband and infant son behind. Now she's found her way back.

The problem, of course, is how to explain her absence to her husband. Does he think she abandoned him? Has he remarried? Is he happy in a new life? Rosalind decides to don a disguise in hopes of answering her questions before showing up on his doorstep. Instead, a twist of fate has her mistaken for her young son's new governess.

Rosalind has every intention of revealing herself as soon as August returns home from business. Until then, she'll get to know her son, a quiet child who has inexplicably been abandoned by an endless stream of governesses. That's when the hauntings begin. Rosalind has finally come home and something--or someone--doesn't just want her gone. They want her dead.

In Thorne Manor there is one locked door. Behind it lies a portal to the twenty-first century, and nothing is going to stop Miranda Hastings from stepping through. After all, she is a Victorian writer of risqué pirate adventures-traveling to the future would be the greatest adventure of them all.

When Miranda goes through, though, she lands in Georgian England... and in the path of Nicolas Dupuis, a privateer accused of piracy. Sheltered by locals, Nico is repaying their kindness by being their "pirate Robin Hood," stealing from a corrupt lord and fencing smuggled goods on the village's behalf.

Miranda embraces Nico's cause, only to discover there's more to it than he realizes. Miranda has the second sight, and there are ghosts at play here. The recently deceased former lord is desperate to stop his son from destroying his beloved village. Then there's the ghost of Nico's cabin boy, who he thought safe in a neighboring city. Miranda and Nico must solve the mystery of the boy's death while keeping one step ahead of the hangman.

It may not be the escapade Miranda imagined, but it is about to be the adventure of a lifetime.

Portia Hastings has spent her life rescuing her younger sister from one scrape or another. Now, she has to step through time to do it, following Miranda from the nineteenth century to the eighteenth. Almost immediately, Portia is beset by highwaymen, which might be the most exciting thing to happen to her in a long time, even if she'd never admit it.

When one of the highwaymen is injured, Portia makes the inexcusable mistake of helping him-she is trained as a doctor after all. Her travel companions abandon her, and she's left at the mercy of a highwayman who demands she continue tending to his compatriot's wounds.

Portia soon finds herself at a crumbling castle inhabited by the destitute Earl of Ravensford. Benedict Sterling is in desperate need of money, and his solution is a ball, where a wealthy bride will win the title of countess, even if it does come with one thunderously ill-tempered earl.

Portia agrees to a scheme to help Benedict look like a slightly more appealing bridegroom, while she continues to search for Miranda. Then there's the small matter of the castle, complete with a ghost intent on driving her out. But once Portia sets her mind on something, she's not going anywhere.

For nearly a decade Garak has longed for just one thing -- to go home. Exiled on a space station, surrounded by aliens who loathe and distrust him, going back to Cardassia has been Garak's one dream. Now, finally, he is home. But home is a world whose landscape is filled with death and destruction. Desperation and dust are constant companions and luxury is a glass of clean water and a warm place to sleep.

Ironically, it is a letter from one of the aliens on that space station, Dr. Julian Bashir, that inspires Garak to look at the fabric of his life. Elim Garak has been a student, a gardener, a spy, an exile, a tailor, even a liberator. It is a life that was charted by the forces of Cardassian society with very little understanding of the person, and even less compassion.

But it is the tailor that understands who Elim Garak was, and what he could be. It is the tailor who sees the ruined fabric of Cardassia, and who knows how to bring this ravaged society back together. This is strange, because a tailor is the one thing Garak never wanted to be. But it is the tailor whom both Cardassia and Elim Garak need. It is the tailor who can put the pieces together, who can take a stitch in time.